Photographic tropes of Jury Rupin

Photographic tropes of Jury Rupin

In a country where photographic practice existed in only two modes – an amateur one, focused on technical quality, encouraged by the state through the creation of a network of photo clubs, and a reportage one, directed by an ideological governmental order – Rupin and the other members of the Vremia group were looking for ways to rethink photography as an artistic practice