Artwork information

Project
Historical
Name
Maruschenko
Dimensions
10х14 cm
Credit
gift of the author
Provenance
The photographer's private archive
Catalog number
KRAV-103(nd)
Inscription

On the verso side: inscription “Марущенко” and author’s signature

Key words
cameraeye-glassesmanwatch

About the artist

Maruschenko

Vladyslav Krasnoshchok (1980, Kharkiv, Ukraine) — Kharkiv artist. Studied at the Department of Dentistry at Kharkiv Medical University in 1997-2002. In 2004-2018 worked at the Kharkiv state clinical hospital of emergency aid. Has been actively practicing photography since 2008. Has been actively practicing photography since 2008. A participant of the Shilo group since 2010 (together with Sergiy Lebedynskyy, Vadim Trykoz and Oleksiy Sobolev). Apart from documentary photography, which is aesthetically transformed using different technical manipulations, he also usesanonymous archives and hand-colouring, methods that evolved in Kharkiv photography in the late 1970s. Combines shots with sculptural objects, and experiments with graphic art, engraving and street art.

Solo exhibitions:

2010 — “Консервы” (Conservations), as part of Shilo Group, Kharkiv municipal art gallery, Kharkiv, Ukraine

2011 — “Негативи зберігаються” (Negatives are stored), as part of Shilo Group, Kharkiv municipal art gallery, Kharkiv, Ukraine

2012 — 5х5 photoclub, Lviv, Ukraine

2013 — “Timoshenko’s Escape or the first step to the exhibition on Mars”, as part of Shilo Group, FotoFest, Houston, USA

2013 — “Творческий вечер” (Tvorcheskiy vecher), as part of Shilo Group, Vovatanya gallery, Kharkiv, Ukraine

2013 — “Оздоровительные процедуры” (Health treatments), Open Gallery, Moscow, Russia

2014 — “Улица Грушевского / Евромайдан” (Hrushevskoho Street / Euromaidan), as part of Shilo Group, Open Gallery, Moscow, Russia

2014 — “Оконченная диссертация” (Finished Dissertation), as part of Shilo Group, FotoLoft gallery, Moscow, Russia

2014 — “Finished Dissertation”, as part of Shilo Group, Asymetria Galeria, Warsaw, Poland

2014 — “UPA hände hoch”, as part of Shilo Group, Kharkiv municipal art gallery, Kharkiv, Ukraine

2015 — “Chronicle”, as part of Shilo Group, BildBand Berlin, Berlin, Germany

2015 — “Discovery Award”, as part of Shilo Group, Les Rencontres d’Arles festival, Arles, France

2015 — “Euromaidan”, as part of Shilo Group, Kaunas Photo, Kaunas, Lithuania

2015 — “Euromaidan”, as part of Shilo Group, National Museum of Art, Riga, Latvia

2015 — “Negatives are stored”, OdesaBatumi Photodays, Batumi, Georgia

2016 — “Ukraine — Memory under Revision”, Alma Löv museum, Östra Ämterviks, Sweden

2017 — “До моего рождения” (Before My Birth), Vovatanya gallery, Kharkiv, Ukraine

2018 — “Как я завязал с искусством” (How I Gave Up Art), Aza Nizi Maza art centre, Kharkiv, Ukraine

2019 — “Рідний край” (Homeland), as part of Shilo Group, COME-IN art gallery, Kharkiv, Ukraine

 

 

Group exhibitions:

2010 — “Два взгляда на украинскую фотографию” (Two Views on Ukrainian Photography), Gaidai gallery, Kyiv, Ukraine (curator — Misha Pedan)

2011 — “Kill photo”, Ya gallery, Kyiv, Ukraine

2011 — “Первый урок” (First Lesson), Chernihiv Photo Festival, Chernihiv, Ukraine

2011 — “SHILO and friends. Photographs from East”, East European Cinema Festival, Haus 23 gallery, Cottbus, Germany

2011 — “Сенс” (Meaning), Koraly gallery, Lviv, Ukraine

2011 — “The Drawing lessons: Ukrainian Photography”, International Photography Festival PIP, Pingyao, China (curators — Misha Pedan, Irina Chmyrova)

2012 — “Харківська школа фотографії. Уроки малювання. Українська фотографія. 1890 – 2010 рр.” (Kharkiv School of Photography. The Drawing lessons: Ukrainian Photography 1890-2010), the First Kyiv Biennial of Contemporary Art “Arsenale-2012”, Mystetskyi Arsenal, Kyiv, Ukraine (curators — Misha Pedan, Irina Chmyrova)

2012 — “Contemporary Russian Photography. The young generation 2007-2012”, FotoFest 2012 Biennial, Houston, USA (curators — Irina Chmyrova, Evgeny Berezner, Natalia  Tarasova)

2012 — Celeste Prize 2012, Musei Capitolini Centrale Montemartini, finalists’ show, Rome, Italy

2012 — “Stop allo 048 degli oggetti”, Le Ciminiere art centre, Catania, Italy

2012 — “Место действия художника” (The artist’s Space of Action), Open Gallery, Moscow, Russia

2012 — “Упражнение ‘Артикуляция’ ” (“Articulation” Exercise), the ІІІ International Moscow Biennial of Youth Art, Vinzavod Contemporary Art Center, Moscow, Russia (curators — Anna Beliayeva, Anna Buivyd)

2013 — exhibition of the finalists of the Street Photography festival, FOTODOC, Moscow, Russia

2013 — “Акт неповиновения. Тело как протест в харьковской фотографии 1970-2010 гг.” (Act of Disobedience. Body as a Protest in Kharkiv Photography of 1970s-2010s) , Lumiere brothers Center for Photography, Moscow, Russia (curator – Katerina Zuyeva)

2013 — “International Discoveries IV”, FotoFest, Houston, USA

2014 — “An Ocean of Possibilities”, Noorderlicht Photofestival, Leeuwarden, Netherlands

2014 — “Прогтяг / Draft”, Contemporary Art Space, Batumi, Georgia (curator — Yaroslava Bondarchuk)

2014 — “Handmade II”, Anzenberger Gallery, Vienna, Austria

2014 — “I’m a drop in the ocean”, Künstlerhaus, Vienna, Austria (curators — Konstantin Akinsha, Alisa Lozhkina)

2014 — “Publish/Curate”, TJ Boulting, London, Great Britain

2014 — “Форпост военных корреспондентов” (Outpost of War Correspondents), Gallery of Classic Photography, Moscow, Russia (curators — Irina Alikina, Yaroslva Amelin)

2014 — “Ucraina — La guerra dei freelancers” (Ukraine — The freelancers’ War), the Festival of Ethical Photography, Lodi, Italy (curator — Renata Ferri)

2015 — “Чисте Мистецтво” (Pure art), Mystetskyi Arsenal, Kyiv, Ukraine (curator — Lidia Lykhach, Petro Honchar)

2015 — “In Flux”,  Leonidas Kanellopoulos Cultural Center, Eleusis, Greece (curator — Shoair Mavlian)

2015 — “Love and War in Ukraine”, Panoptikon Fotografins hus, Stockholm, Sweden (curator — Misha Pedan)

2016 — “A Take on Vintage Photography”, Vitas Luckus Photography Centre, Šiauliai, Lithuania

2016 — “Nuit de la Photo”,  La Chaux-de-Fonds, Switzerland

2016 — “Deformation”, Suwon Photo Festival, Suwon, Southern Korea (curator — Katerina Radchenko)

2016 — “Stopień zależności”, BWA Contemporary Art gallery, Wroclaw, Poland (curated by The Open Group)

2017 — “In Flux”, Getxophoto Festival, Punta Begoña gallery, Getxo, Spain (curator — Shoair Mavlian)

2019 — “Palette of Pain”, Tbilisi Art Fair 2019, Expo Georgia, Tbilisi, Georgia (curator — Roman Pyatkovka)

2019 — “Шлях Енея” (Aeneas’s Way), DanteFest 2019, YermilovCentre, Kharkiv, Ukraine (curators — Boris Filonenko, Luca Fiore)

2019 — “UPHA Made in Ukraine”, AKT art space, Kyiv, Ukraine (curators — Victoria Bavykina, Maksim Horbatskiy, Yarolsav Solop, art director — Misha Buksha)

2019 — “Storytelling from Kharkiv: Singular Voices”, Galerie nomade Alexandra De Viveiros, Paris, France (curator — Nadiia Kovalchuk)

2020 — “Sztuczny ból. Współczesna sztuka Ukrainy”, Centre of contemporary art “Znaki Czasu”, Torun, Poland (curators — Krzysztof Białowicz, Nataliia Ivanova)

2012 Golden Camera International Photo Award (каталог победителей конкурса). Kyiv: Киевская школа фотографии, 2012, 23.

Contemporary Russian Photography (каталог виставки в рамках Fotofest 2012 Biennial). Amsterdam: Schilt Publishing, 2012.

Euromaidan. Spain: Riot Books, 2014.

Feuerhelm, Brad. “Shilo Group’s: From the Fog of the Barricades”. American Suburb X., December 10, 2015. http://www.americansuburbx.com/2015/12/shilo-groups-chronicle-ukraine-from-the-fog-of-the-barricades.html?fbclid=IwAR3G3zOSmCukjjlrQ0T28tJu6PXYTs138cJ3Xdy-6e709yHPiPJBO3jcrYo.

Fotofest 2014 Biennial Catalogue (каталог виставки Fotofest 2014 Biennial). Ambsterdam: Schilt Publishing, 2014.

IV Международный фестиваль фотографии Photovisa (каталог выставки). Krasnodar, 2012.

Les Recontres de la Photographie (каталог виставки Arles 2015). Arles: Actes Sud.

Noordelicht: An ocean of Possibilities (каталог виставки Noorderlicht Photofestival). Leeuwarden: Aurora Borealis, 2014.

Nuit de la photo, La Chaux-de-Fonds (каталог виставки Nuit de la photo 2016). La Chaux-de-Fonds: Association Nuit de la photo, 2016.

Pantall, Colin. “Chronicle: No Progress, No Photography, Old Country, New Country”. Colin Pantall’s blog, November 13, 2015. http://colinpantall.blogspot.com/2015/11/chronicle-no-progress-no-photography.html.

Pavlova, Tatiana. “The Kharkiv Photography School. The ‘Shilo’ Group (V. Krasnoshchok, S. Lebedynskyy, V. Trykoz)”. Widok, no. 7 (2014). http://pismowidok.org/index.php/one/article/view/236/422.

Reporter ohne Grenzen, Fotos für die Pressefreiheit. Berlin: TAZ Verlags- und Vertriebs GmbH, 2014

Topol, Sarah A. “Fugue State: The struggle for national identity in wartime Ukraine”. Harper’s Magazine, July, 2015: 69.

Weber, Donald. “The Rules of Photojournalism Are Keeping Us From the Truth”. Medium, May 17, 2015. https://medium.com/vantage/the-rules-of-photojournalism-are-keeping-us-from-the-truth-52c093bb0436.

Вилы, “Молотов”, слезоточивый газ. Как ‘диктаторские’ законы превратили ‘Евромайдан’ в уличную войну. Фото”. Meduza, November 21, 2014. https://meduza.io/galleries/2014/11/21/vily-molotov-slezotochivyy-gaz.

“Геопатогенная зона”. Русский пионер, no. 31 (2012): 99-116.5.6, 2012.

Грабарская, Анна [Grabarskaya, Anna]. “Где бы ни участвовали, везде все получалось”. Colta, July 6, 2015. https://www.colta.ru/articles/art/7856-gde-by-ni-uchastvovali-vezde-vse-poluchalos.

“Группа Шило”. 5.6. Журнал о фотографии, no. 9-10 (2014): 22-23.

Дудченко, Владимир [Dudchenko, Vladymyr]. “Правда нуждается в союзниках”. В Правда не нуждается в союзниках. Говард Чапник. Saint-Petersburg: Клаудберри, 2014.

Калита, Настя [Kalita, Nastia]. “Владислав Краснощек: про ‘Закінчену дисертацію’ та лікарську практику”. Your Art,  July 17, 2019. https://supportyourart.com/conversations/krasnochek.

Павлова, Тетяна [Pavlova, Tatiana]. “Cимметричный жест Михайлову”. Korydor: журнал про сучасну культуру, 29 травня, 2017. http://www.korydor.in.ua/ua/stories/boris-mikhailov-gruppa-shylo-kharkovskaja-shkola.html.

ПОДВИЖНЫЙ ПЕЙЗАЖ. Искусство Украины между революцией и войной PAYSAGES INSTABLES. Des artistes ukrainiens entre révolution et guerre. КиЇв: Родовід, 2014.

“Преемственность”. 5.6. Журнал о фотографии, no. 7 (2012): 54-61.

Стех [Stekh]. “О чем ты вообще будешь говорить кроме Харькова”. ЛЮК, 14 червня, 2017. http://lyuk.media/city/gruppa-shilo-o-chem-ty-voobshche-budesh-govorit-krome-kharkova.

Филоненко, Борис [Filonenko, Boris]. “ ‘Собаку зовуь Шедевр’. Художественный проект Владислава Краснощека”. IST Publishing, March 22, 2018. https://www.istpublishing.org/new-blog-1/vlad-krasnoschok-1.

Хроніка. Germany: dienacht Publishing, 2015.

“Черные дни”. Colta, February 3, 2014. https://www.colta.ru/galleries/specials/1888-chernye-dni#ad-image-0.

Чисте мистецтво (каталог виставки). Kyiv: “Родовід”, 2017.

“Январь 2014, ‘Евромайдан’ ”. Форпост. Kolomna: Музей органической культуры, 2014, 253-278.

You cannot copy content of this page